Subscribing to a streaming service can be a bit like ordering a take-away when you don’t know what you want to eat – paying the money and hoping what arrives is to your taste.
In recent months, fewer people have become willing to take their chances on the streaming menu, with Netflix losing nearly one million subscribers between April and July – although that was less than the two million it had feared.
As some find the shows less appetising and have their household budgets squeezed, and with Netflix’s Covid boom over and rivals trying to cook up a better offering, it seems our streaming tastes are changing.
One of Netflix’s lost subscribers is James Leiper, 26, from Huddersfield. “I bought a house last year, so I thought I needed to take control of what I was spending, and all the monthly subscriptions added up,” he says.
“At one point, I had four streaming services and it was a lot of money each month for things I barely used.
“Netflix was the first to go for me because there was only a handful of things on it I was watching.”
IMAGE SOURCE,NETFLIX
Mr Leiper says he is now more mindful of what he spends every month because of things like his electricity and gas bills going up.
“Five or six years ago, I’d watch everything on Netflix, and now there’s not so much and I’m not tempted by anything on there,” he explains.
An increasing number of British households feel the same way about streaming, with 700,000 fewer having at least one subscription compared with the start of the year, according to research firm Kantar.
Younger viewers have been the most likely to unsubscribe, with more under-24s turning to alternatives like BBC iPlayer or ITV Hub.
Netflix does remain the world’s most popular streaming service, but Tuesday’s figures showed its biggest fall in subscriber numbers to date, three months after its first ever drop sent its share price plummeting.
Squid Game, Stranger Things and Bridgerton have given it huge hits, but the company’s recent strategy of churning out content has backfired, according to TV critic Hayley Campbell, co-host of the BBC Sounds Must Watch podcast.
“I think Netflix is losing numbers because it keeps pumping out endless shows without stopping to check if they’re good,” she explains.
She says Netflix’s “ratio of rubbish to brilliant is way off” – but thinks it’s now trying harder with shows like Heartstopper.
“Apple TV+ is the most interesting place for TV shows at the moment because it seems to be actually taking risks and investing money in making things like Shining Girls or Severance,” she says.
Amazon Prime attracted more new subscriptions in the UK than its rivals in the last three months, according to Kantar.
Campbell adds: “The most interesting things on Amazon Prime right now aren’t made by Amazon, they come from places like HBO.”
Another viewer, Matthew Rose, 26, from Devon, agrees: “Netflix has great shows like Stranger Things and Squid Game but there’s a lot of programmes that aren’t high quality.
He only pays for Disney+, cancelling other streaming services like Spotify last year, and relying on free trials for new customers.
Mr Rose says he accesses most of his content on YouTube “because it’s shorter and it’s like a long-form TikTok” with “really interesting short documentaries”, which are free.
“I basically only have Disney Plus because I love Star Wars,” he says.
For Netflix, he piggybacks on his sister’s account. “If she kicked me out then I wouldn’t subscribe myself.”
“The feel of watching TV with lots of people watching at the same time makes it less lonely,” explains one viewer, Lucy Stirman from Stockton-on-Tees.
“Soaps are drama but easy to watch and it’s not a big deal if you dip in and out.
“With Netflix and Amazon Prime, it’s more when you know a good movie or series is going to be added and you hear people talking about them.”
The 32-year-old has not given up her Netflix account, though, explaining that the children’s section is played every day for her daughter, who is almost one.
Even if some younger viewers are cancelling, another generation is growing up with streaming.
